Anonymity was part of the initial lure of Burial, a dubstep producer from London. "I love...old jungle and garage tunes, when you didn't know anything about them, and nothing was between you and the tunes," Burial was quoted as saying in a rare interview (The Guardian, October 26, 2007). "I liked the mystery; it was more scary and sexy, the opposite of other music." Anonymity, of course, has long been a quality positively associated with electronic music, going back to early years of Detroit techno, when acts such as Underground Resistance and Drexciya veiled themselves in obscurity, and even farther back to Kraftwerk, who championed the notion, "We are the robots." So it's the back story of Burial (or rather, the lack thereof), in addition to his music, that explains his great appeal to many of those well-versed in the traditions of electronic music.